Capabilities

I create immersive visual content and live visual systems for installations, events, performances, brands, and spatial experiences.

My work combines visual storytelling, projection mapping, generative media, AI-assisted content creation, live visual operation, and the technical infrastructure needed to make complex experiences function reliably.

I work best on projects where the visuals need to feel intentional, atmospheric, and alive, and where the technical system has to survive the reality of the room.

I create visual material for spaces, screens, walls, stages, objects, and installations.

This includes:

Projection-mapped visuals

Multi-wall immersive content

VJ loops

Ambient motion scenes

Environmental motion graphics

Atmospheric textures

AI-generated image and video assets

Looping content for installations

Wall-specific and object-specific content

Visual systems for live performance

I think about content spatially. A wall, room, object, or LED surface is not just a place to display media. It is part of the composition.

I help shape the visual language of an experience from loose concept to finished environment.

I can develop:

Mood

Palette

Visual references

Movement style

Scene structure

Narrative tone

Pacing

Atmosphere

Audience experience

I am especially strong with work that needs to feel cinematic, surreal, layered, symbolic, atmospheric, historical, dreamlike, or strange in a precise way.

Projection mapping is one of my clearest specialties. I design and adapt content for physical space, architecture, objects, walls, stages, and unconventional surfaces.

I work with:

Multi-projector mapping

Wall projection

Object projection

Spatial content design

Projector alignment

Projection calibration

Blended visual canvases

Multi-zone installations

Projection can change how a room feels. It can make architecture breathe, turn surfaces into characters, and create the sense that a space is revealing something hidden.

I use AI and generative tools as part of a larger creative workflow.

This can include:

AI image generation

AI video generation

Prompt development

Scene concepting

Character and creature exploration

Texture creation

Style exploration

Visual reference building

Experimental animation workflows

Generative environments

Audio-reactive visual systems

I am interested in using these tools to create worlds, atmospheres, symbolic imagery, impossible spaces, and visual systems that feel alive rather than generic.

I create and operate visuals for live events, performances, music environments, and time-based experiences.

This includes:

VJ sets

Live-triggered visual moments

Music-driven visuals

Audio-reactive content

Performance backdrops

Ambient event visuals

Scene-based visual structures

Live screen operation

Real-time adaptation during events

Live visuals require timing, restraint, rhythm, and attention. The right image at the right moment can carry a room.

I work with media server systems for installations, live events, and multi-screen environments.

My experience includes:

Pixera setup and operation

Pixera mapping and remapping

Resolume Arena workflows

Multi-zone content deployment

Show file cleanup

Playback troubleshooting

Projector routing

Datapath FX4-style output workflows

LED wall and processor coordination

System prep for reliable operation

I can help take a creative plan and turn it into a playback system that is organized, testable, and show-ready.

I build simplified control systems for complex visual environments.

This includes:

Stream Deck interfaces

Companion pages

Startup and shutdown controls

OSC workflows

Trigger-based playback

Python utility scripts

Staff-facing control layouts

Operator notes

“One button does the right thing” systems

The goal is to make the system usable by the people who actually have to run it.

I create and prototype interactive visual systems using tools such as TouchDesigner, cameras, sensors, OSC, and generative workflows.

This can include:

TouchDesigner-based visuals

Depth camera interaction

Sensor-triggered content

Camera-based visual systems

Audio-reactive environments

Interactive installations

Generative visual pipelines

Experimental control systems

I enjoy building systems where the audience, performer, object, or environment becomes part of the visual behavior.

I am often useful when a system is already in motion, already complicated, or already broken.

I can help diagnose and resolve:

Dead signals

Bad mappings

Playback failures

Cabling issues

Projector problems

Media player issues

Network weirdness

NDI issues

Display routing problems

Last-minute technical changes

Missing documentation

Unclear technical ownership

I am comfortable stepping into messy systems, finding the failure points, and creating a practical path forward.

Technical Direction for Immersive Systems

I can help guide the full creative-technical structure of an immersive or live visual project.

This includes:

Projection system planning

Signal flow design

Multi-projector coordination

Media server strategy

Content delivery planning

Technical documentation

Crew and vendor coordination

Installation troubleshooting

Live event visual support

Operational handoff

I can move between artists, producers, technicians, clients, and venue staff without losing the shape of the work.

I can support live events as a video technician, V1, visual operator, or creative-technical lead.

This includes:

Screen cue management

Live playback operation

FOH video coordination

Projector setup

LED wall support

Media server operation

Display routing

Signal testing

Basic rack troubleshooting

Content formatting and adaptation

Show-day troubleshooting

I understand the pressure of live environments, where decisions have to be clear and the system has to work now.

I can prepare, adapt, and rework content for the specific needs of a space, screen, system, or event.

This includes:

Adapting content for unusual aspect ratios

Preparing media for projection

Creating content for LED walls

Formatting content for playback systems

Building loops and transitions

Creating alternate versions for different surfaces

Converting visual ideas into usable assets

Organizing media for live operation

A good visual idea still needs to arrive in the right format, at the right resolution, in the right place, at the right time.

My background in research, teaching, business, and production gives me a strong communication layer.

I can help with:

Technical documentation

Operator instructions

Run-of-show screen cue sheets

Client-facing explanations

Proposal language

Scope clarification

Budget-aware planning

Invoice and payment framing

Educational materials

Narrative and conceptual framing

I can explain complex systems clearly without flattening the creative intent.

I work across a range of creative and technical tools, including:

Pixera

Resolume Arena

TouchDesigner

Companion

Stream Deck

NDI

OSC

FFmpeg

Python utility scripts

Stable Diffusion-style workflows

Runway-style AI video workflows

Blackmagic / Decimator workflows

SDI / HDMI signal chains

Datapath FX4-style routing

Novastar / LED wall workflows

Projectors, media servers, and live playback systems

The tools change from project to project. The core work is making the visual experience coherent, stable, and alive.